In the space below write your own quotes pattern using the commands imagine having amazing sex with me and get incredibly hot and horny

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2. Pick any 3 weasel phrases from Chapter 3, and in the space below, construct a quotes pattern for each one of them:

3. Explain the difference between quotes and describing another person's experience:

MORE ACCELERATORS: THE POWER OF SUB-MODALITIES

What better way to get a woman hot and bothered for you than to have her picturing mind-blowing sex with you? We've seen how to use embedded commands to get her to do this ... now in this chapter I'll show you how to do it in some special ways that will tremendously magnify the power and vividness of those fantasies so she becomes utterly obsessed and compelled to act on them. Be warned ... this is really dynamite!!

Watch Where You're Stepping: Thoughts Are Present

In my first book, "How To Get The Women You Desire Into Bed", I pointed out that there's an important distinction in how people make mental pictures. That distinction was that people can either see themselves in an image, or they can see what they actually saw at the time they had the experience. (Typically, you don't see yourself when you actually experience something unless you walk around with a mirror in front of you all day long!)

Now I'd like to teach you an even more important distinction which is this: people subjectively arrange their mental pictures in different locations in their head. This distinction also applies to where people seem to hear the internal voices in their heads.

An Important Exercise To Help You Understand

Let's give an example of the power of where you put your pictures in your mind: stop a minute and think of someone you really, really like. Someone you're very fond of. As you do this, and you see their image in your mind, take your finger and point to where you seem to see that image.

If this is a little hard for you, just imagine your mind is like a mental movie screen. Take note of where on the screen the image is. Up? Down? To the left? The right? Where the fucking hell is that image, bb? And, by the way, how big is it?

Ok .. now ... think of someone you don't like at all. Someone who, if you could, you'd sentence to spend eternity as Roseanne

Barr's bicycle seat. Where do you see that person's image? How big is it?

Now ... as you think of both images at the same time you'll really begin to notice that they are in different places in your mind, subjectively speaking. Notice what happens now as you try in vain to move the picture of the person you don't like into the same location as the picture of the person you do.

It doesn't want to go, does it? It's just like something is fighting it.

Now why might all this be useful? Why might you want to know where a woman puts her pictures of falling in love? Why might you want to know where a woman puts her pictures of men who no longer mean anything to her? Hmm? Could it be that if you found out where in her mind a woman pictures falling in love, that you might want to somehow sneak a picture of you and her together in that place, doing nasty things, and then rig it up so that she sees those images obsessively?

Could it maybe also possibly be the case that if she's already dating someone, you'd like to be able to put his picture in the location of someone she's forgotten all about and lost all feeling for? If I could really show you how to do all that, would you mind that I ended that last sentence with a preposition, something my seventh grade grammar teacher Mrs. Edge would have slapped me for? (Whoops ... I did it again!)

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Practical Mental Influence

Practical Mental Influence

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