Roulette Winning Strategies
I'd have to say, practically every time I perform the Russian Roulette routine. It's controversial, but nothing I have ever performed has created greater drama, intensity and audience response at its climax. Standing center stage, arm upraised, pistol blazing and smoke billowing upward, produces instant, loud and sustained applause. It's a tough effect to follow.
This is a very entertaining book, and in it you'll find the answers to questions which laymen will often ask you. For example Can the dealer make the ball land in any number they want on a roulette wheel Can slot machines be hot or cold Do casinos cheat customers What is the dead man' hand Do cheaters get beat up by casinos What does 86'd mean What happens if the dealer makes a mistake What is the black book What is the eye in the sky What is the most money ever won or lost at a casino and the most important question of all Why is the carpet in most casinos so ugly
State, that as long as he does exactly what he's told to do - nothing more and nothing less - the demonstration is perfectly safe. However, it is vital that he understands that your safety will be in his hands and that there is no danger provided he does exactly as instructed.
Now that you've digested the secret of my version of Russian Roulette, here's what went wrong that fateful night of the first Magic Symposium. I was so unnerved by the slashing of my performance time, I forgot to do the demonstration with the styrofoam cup. In other words, if the demonstrator pistol had been selected as the one which was discharged in my ear, I would have been on the receiving end of an exploding cartridge. Naturally, from that time on, I placed the styrofoam cup on the revolving stand, next to the demonstrator pistol before I do anything else. As I have stated so often throughout this explanation, you cannot afford to have a single lapse of thought. I was lucky.
Place a large denomination bank note on the table and ask the spectator to take any card from the fan. Square up the cards and place them before him. Point out that no one could have known which card he would select but you have played a game of monetary Russian roulette and you point out that if your prediction is wrong he can keep the money. He reads your strange prediction, looks at his card and you pocket the money. The nice thing about this routine is that the deck is in front of him and he will grab it and make sure that all four suits are present and . . . they are
This point may run counter to some people's intuition and 'common sense'. Some people who play roulette feel that if 'red' has not come up for a long time, it is some how 'more likely' to come up on the next spin. This is not true. The chances of red coming up remain 50 50, and previous spins makes no difference. If one regards airline crashes and similar disasters as being truly random events, then what has occurred in the past makes no difference to the probability of another such crash occurring soon.
I have enjoyed my years as a mentalist, no end. Someone once said to me that mentalism is the highest, most sophisticated and subtle form of magic. I wholeheartedly agree. Nothing gives me greater pleasure than creating and performing a mental effect. The audience reaction to mentalism well done, is very strong. Fortunately since I first became interested in this branch of the magical arts, I've been very prolific. All of my favorites are between the covers of this book, including the one effect that is most commonly associated with me, Russian Roulette.
Jacqueline, you've done brilliantly well. We've worked with coins, roulette, shapes and numbers. For your final psychic challenge, let's work with people. I'm going to imagine a famous person walking into this room, and you're going to guess whether this person is male or female. I'll tell you this person is no longer with us, but their name and image will live forever. It's someone that everyone has heard of, a star, an icon of the twentieth century. He or she still has millions of fans.
Finding no consolation in the textile business David went to Juan les Pins, in the South of France, w here his I 'ncle Alex had a villa and a speedboat, a tempting combination for a young man. Alex's son was the same age as David and they spent a large amount Of their time driving the boat and w ater skiing. Together they won several slalom competitions and enjoyed a great bachelor lifestyle. The South of France, with its many casinos, was a fine location to put a very unusual idea to the test. 1 ncle Alex had told David about a formula that he had learned from a Scottish mathematician. He said it could predict the outcome of an even chance bet such as the toss of a coin. David, intrigued, took the time to study the formula and modify it so that it could be applied to the game of roulette. Now there are many claims for roulette systems and authorities universally agree that no system yet discovered can guarantee a winner at the tables. David begs to differ and he does so entirely on...
The inspiration for this effect came from Vegas Fling in an early issue of Magick. The presentation used two of the three casino games used here, namely Roulette and Craps. I changed the third game from Poker to Blackjack. Why Because the third game involves a force and the one used in the original wasn't to my liking. In fact, the mandatory force called for in most one ahead routines similar to this is usually the weakest point in the routine. However, I believe you'll positively love the variation I've conceived. Let's run through the explanation from beginning to end. You'll need all the items listed in the presentation. A small toy roulette wheel, a pair of casino dice, a regulation deck of playing cards, a small pad about 2 1 4 wide x 4 1 4 deep, a pen and a crystal wine glass.
Volume One includes six routines, five are mental effects, and one ( Here, There, & Everywhere ) is a clever, almost sleight-less card-to-wallet routine. My favorite is a routine called Some Total. I have already started to think about adapting this to my own work. Also on this tape is Larry's famous Russian Roulette routine, which is demonstrated but not explained. To be honest, this trick gives me the willies, and I have a hard time watching Larry do it. (In fact, when I see him do it live, I have to leave the room.) If you have impressionable children in your home, be sure to use common sense when viewing this tape.
I was particularly intrigued by several of the routines in this book, especially with Mr. Horwitz' off beat use of the venerable Out to Lunch principle. Check out Psychic Roulette and The Hot Chair. They are not only commercial routines, but they may inspire you to develop other applications.
A roulette player who is doing business with the dealer can past pest at will and consequently must end up a winner. Al he has lodo is take care not to do it when die floorrnan is aromd, assuming he is not also in on the scam. The most extensive past-posting conspiracy I know of occurred a few years ago at die San Remo Casino in Italy. About one-third or Lie croupiers were involved in a scam to allow agents to past post at roulette. The fraud eventually came to light when the dealers goL so greedy dial casino profits dropped by over 3D percent. In r.ll, more than forty croupiers received prison terms.
I must tell you, having seen the very best magicians in the world, I have never, as an audience member actually perspired, as I did during your presentation ofRussian Roulette. Larry, I was sweating That was the most riveting, thrilling demonstration I've seen, bar none. What a tremendous pleasure it was to watch you and meet you. IBM CONVENTION - EASTBORNE, ENGLAND (Elizabeth Warlock - Linking Ring Review) It's not often that mentalists take centerstage, but Larry Becker sure had many not only scratching their heads in wonder, but also laughing at the gags that flowed throughout his act. Entertainment was the key word. A far cry from the heady theatrics of Maurice Fogel and Al Koran. Larry Becker proved the great showman he is by turning what could have been drama with a troubled microphone in the opening show in a piece of fun, aided and abetted by emcee, Simon Lovell. The lightheartedness continued throughout the act even when revealing a selected word from the Reader's Digest. In...
I first became interested in the Russian Roulette effect in l979 while working on a psychic gambling act that had hit a dead end. For the life of me I couldn't create a closing effect with the impact, suspense and drama I was looking for. After trying and discarding many effects I began to seek outside help. I phoned Bob Lynn, aka, Tony Raven, one of the founding fathers of the Psychic Entertainers Association and the originator and publisher of Invocation, who sent me the January, l978 issue of that publication. He suggested that I read the Russian Roulette routine by Robert E. Cassidy. I did and immediately phoned Bob Cassidy to obtain his permission to perform the effect publicly. Bob graciously gave me his consent. In time, I made several minor revisions to the original routine, notably, demonstrating the destructive force of the blank ammunition used in the effect by placing a styrofoam cup over the barrel of the gun and blowing it to smithereens. To solve this problem, I...
You then explain that there is an invisible ROULETTE WHEEL AND BALL, A DECK OF CARDS, and A BOWL OF FRUIT Ask a spectator to pick up the invisible BALL, and ask that they spin the roulette wheel and to drop the ball into the wheel. You then ask if the ball landed is RED or BLACK Lets assume that they say BLACK, you say, I thought so.
If I were marketing this gem, it would probably go for 25.00. The reason It's a beautiful effect. A powerhouse accomplished by the simplest of methods. It began with a roulette force that caught my eye in Close-Up Cavalcade by Mentzer. Little did I realize when I began to experiment with it that Fool-Ette would result. EFFECT The mentalist displays a paperback book entitled WINNING CASINO GAMBLING by Terrence Reese and hands it to a spectator for examination. The spectator then inserts a playing card anywhere he wishes in the book. Half the card is left protruding. The mentalist turns his head away and opens the book to the pages bisected by the protruding card. The spectator is instructed to memorize the page number at that point. The performer then removes the card and tosses it and the book on the table. Handing the spectator a pad and pencil, the mentalist instructs the spectator to record the page number he noted. The mentalist turns away as this is done. (Note The mentalist...
Roulette Strategies Revealed
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