Mind Control Techniques Training
You start by telling your assembled cast that you are an expert in NLP, Mind Control, a medium (see notes), or whatever else you feel is appropriate. You further explain that you are going to show them how you can influence them enough to alter their perception of reality.
The bold italic words in the script should be either slightly more or less stressed depending on which works best for you. They have no specific use with reference to the trick itself, they are used to bring the audience on your side by convincing them that what you are telling them is true. Once that you have performed the effect, and they feel that they have too, they will believe that mind control is a reality. The idea is to make them believe that with no practise, skill, or knowledge of the subject whatsoever, they have still been able to register some success when attempting it themselves. What you are doing in effect, is stressing to them subconsciously that they can accept and believe the entire performance that you are about to deliver - that is, you are establishing and validating for the audience, the idea that the underlying principle of mind control is a reality. It has perhaps two really effective uses. It can be performed individually or for small groups, at parties and...
This test advances yet further up the scale of psychic control as you inhibit the senses. Particularly the sense of feeling may be readily shut off' by the method of visualization, projection, and affirmation. Hold the thought of numbness over the hand of the subject and affirm repeatedly to him that his hand is becoming numb, numb, numb, and that he will feel no sensation in it at all. He will be found to experience a marked degree of local anaesthesia, and even if a needle is touched to the flesh, no sensation will be experienced. The Hindu magicians frequently demonstrate this phenomena in allowing large hat pins to be passed through their flesh, and even reclining upon a bed of nails. These are popular demonstrations of the fakirs who have mastered these mind-control-over-body skills.
If a non-magician has found his way to this book through Her Majesty's Internet and wishes to know how I perform my mind- reading or learn more about 'mind control' techniques, he will be very disappointed, and infuriated by the fact that he had to pay such an unreasonable amount of money to be so let down. it a magician has picked this up to learn some new tricks, then again he has been misguided in his expectations, for I don't teach any here. I hope what I have to say will be of more value.
EFFECT PRESENTATIONIT'ROCEDURES Begin by saying, I'd like to move right into one of the most fascinating aspects 0 mind control Hypnosis. Hypnosis is a uiPiiK , -Oi-hX'v state. Since there is always the dwnCTthut some of you in the audience might already be semi-awake, or semi-asleep, it wouldn't be fair to hypnotize any of you. Remove the open-eyed balloon from your pocket and display it Continue, Instead, I'll hypnotize an inanimate object. I'm going to hypnotize this balloon. This always
The operator, after having demonstrated successfully, various experiments in Telepathy, Telethesia, etc. (without the aid of playing cards), announces that the success of the recently conducted experiments was largely due to the extreme sensitiveness of the mental processes of the assisting spectators, and. remarking upon the particularly acute faculties of one such volunteer, enquires if he was aware that he was the possessor of such powers and, whatever the reply, requests him to personally conduct an experiment in telepathy and mind control the operator, although participating, to merely act as an assistant and adviser as to the procedure to be adopted in order to secure the most effective results. The great thing to remember is that it must be impressed on all present that the volunteer operator is the sole director of the effect and that the success is due to his efforts alone. The actual performer merely acting as an assistant in an advisory capacity, suggesting the best...
The authoritarian approach is the complete opposite of the permissive approach. The hypnotist is presenting himself as being the controlling force, and for the subjects to turn control over hypnotist on control to him. The authoritarian approach puts the hypnotist on a pedestal for his great abilities of mind control.
After disgusting your audience with a convincing discourse on mind control, you borrow two stiff hats and place down up on two chairs about I-1 2 yards apart. Stepping amongst the multitude you request several to select the card you want them to, but you have deceived them just the same because you don't force a card The cards are returned and you do the shuffling so that there will be no tricky work. Placing deck in one lid, you remove cards singly, backs towards audience and transfer to other hat. One of the selectors is asked to call stop at any time when a card is half way across and on naming it is turned around and of course, as usual, you are right. Repeat with the others if they have not left. Because of the bewildering and intricate sleights necessary for the accomplishment of this problem I use a three kind force deck to save time in practicing. As there are at least 15 duplicates of each the spectator is sure to call stop before very many have passed by because he wants to...
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EFFECT AND PRESEN iATiON Do you believe its possible to influence someone without using words or touch The answer, ofcourse, is yes. By musk and sound, by body language, and even by pictures and colors. Scientists, however, are not so quick to agree that the actions of another person may be manipulated solely by mind control
Even now in Germany2 there are schools that teach people to realize their desires through wishful dreaming (Silva Mind-Control). I would like to give you a little lesson in mind control, along with the magic of the oracle. I would like to attempt to look into your future and see if I can find your wishes. 2 Substitute the name of your country here. Silva Mind Control has schools around the world. BP
This is certainly among my all time favorite mental effects as I enjoy the on-the-fly interaction with the participant in Equivoque. I find many mentalists are reluctant to use the Equivoque technique because they feel it is simply not convincing enough, especially for the stage. I see it as similar to a card magician using a top-change It has to be repeatedly performed under fire to develop confidence with it. I prefer to use Equivoque in conjunction with an impression device, so that the audience believes that you do not know which is the correct choice. This takes a lot of heat off the entire process. I urge you to read Phil Goldstein's (Max Maven) manuscript on the 5 item equivoque, Verbal Control. A Treatise On The Under-Explored Art of Equivoque. Mind Control by David Eldridge is another impressive study of equivoque based on a 4 item choice. Their ideas on this topic are brilliant, totally convincing and, as they both say, under explored.
There was a break in the recording before the second phase of the routine. Props were reset and David recruited his second volunteer. Once again the psychological force was used, David leafing through the catalogue and pointing out that as the dressing table had already been chosen the volunteer might like to pick something else. He was encouraged to pick something unusual and sure enough the rocking horse was the most interesting item in the pages that followed. This time there was no need for secrecy, the stage was already set, and David casually asked the volunteer which item he had chosen. It was the rocking horse and the volunteer obligingly chose it again later, this time on camera. Again this will appear a high-risk strategy but that is perhaps because it is almost impossible to convey on paper the kind of social and psychological persuasion that can be exercised during the course of a professional performance. And, of course, David has a knack of persuading people to do almost...
Originally I allied this It Must be Mind Control ' However, as the routine developed over the years. I found the very nature of the effcct had changed. Rather than a demonstration of the performers superior powers, there was now the feeling of an experiment in which the performer and his associates in the audience were together giving a successful demonstration of mind-to-mind communication. With this change in presentation came the new tide above.
The idea of using it in the context of mind control is very powerful, but imagine the response when using it with a group of people who believe that you are either a medium or spiritualist, or using it in a s ance or voodoo routine. It has perhaps two really effective uses. It can be performed for small groups, at parties and the like, as a demonstration of your mental or psychic powers, or you could use it for an audience to demonstrate how mind control works. This is particularly good as a convincer (or confuser ) before you start any traditional routines disguised as mind control, because you can use it first to involve the audience and then explain how this simple effect was achieved. Hopefully they will then be looking for body language cues, etc, when the performance proper begins, and not the props you are really using (if indeed you do use props). I don't think that it would be very successful if used as a stand alone effect in a stage routine - it would soon become very dull...
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To do this successfully you need to build a clear path of action by using tools if necessary. These tools would be facts, evidence and stories which you know they can relate to. Plus you always want to have their best interests at heart, in other words, you know what is good for them