Let the paint dry and replace the cardboard as closely as possible to its original position against the wall.

Now take the new unused filmpack and place it in the camera. As you close the filmdoor the filmpack cover will be ejected automatically by the camera. Place this filmpack cover, face up, into one of the two lightproof boxes (let's call this box Box #1) and close the lid.

The rest of the preparation is now accomplished in the dark. Turn off the lights and open the filmdoor of the camera. Remove the filmpack from the camera and, using a light pressure of the thumb, push out the first photo. Place this undeveloped photo into the second lightproof box

(Box #2) face up. Repeat this procedure with the remaining nine photos, placing them all face-up into Box #2 and leaving the filmpack empty. Place this empty filmpack aside for the moment.

Now find your used and empty filmpack cartridge. Into it carefully insert one of the undeveloped photos from Box #2. There is a knack to inserting the photos into the empty cartridge. You have to depress the spring in the cartridge as you insert the photos. If you experiment a bit you will soon get the feel of reloading the photos into the cartridge.

Locate the developed photo now (this is easy because you can identify it by its clipped upper righthand corner) and insert it above the photo in the used cartridge. With the cartridge thus prepared, load it into the camera and close the filmdoor. The developed photo will be automatically ejected from the camera as if it were a film cover. Place the ejected photo aside. The camera is now loaded and the undeveloped photos are safely within the 'lightproof boxes, so you may switch on the lights.

With the lights on, relocate the camera in the exact position it was in as you lined up the black cardboard in the viewfinder. Check your field through the viewfinder, using the pins as locators, and check the focus. Once the camera and cardboard are back in position, you can remove the marking pins carefully from the cardboard, taking care not to move the cardboard as the pins are removed. Everything is now set to take the photo of your painted image.

Turn out the lights again and switch on the blacklight. The light should be positioned about eight inches from the cardboard and near the camera.

You will be able to see the glowing blacklight image on the cardboard through the viewfinder. Place your left forefinger over the electric eye on the camera so it won't function, and, with the right forefinger, depress the shutter button and hold it for six seconds. Take care to avoid moving the camera during this procedure.

When the six seconds are up, hit the footswitch on the blacklight to turn it off.

Now push the release bar that opens the filmdoor and remove the film cartridge.

Push the undeveloped photo you have just taken, from the cartridge and place it face up in Box #1, on top of the film cover already there. Make sure that both lightproof boxes are well sealed and then turn on the lights.

Take the new, empty filmpack and load it into the camera. When you close the filmdoor it will release the shutter so that all is normal again, and the filmpack can now be removed. If you wish to prepare more than one photo at a time, everything is now set up to repeat the above procedure and take as many prepared photos as you wish at one sitting. When you have finished, all the prepared photos will be in Box #1 along with the film cover, while all unprepared photos are in Box #2.

Now all you have to do is reload the prepared and unprepared photos in the new and unused filmpack in order you wish to take them and lastly replace the film cover, while the lights are out. Just be sure that you replace all the photos and the film cover face-up. You now have a prepared filmpack that looks completely normal and has a totally fresh battery, ready to use. Figure 4 shows one possible order the filmpack might be arranged in.

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Friendly Persuasion

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