Here are other ideas I've devised for this wonderful effect.
2. You could also use a Svengali Deck instead of the memorized deck. Do an honest dovetail shuffle, but manage it without splitting the long-short pairs. Let the indifferent faces of the cards be seen and put the deck into its case. Ask a spectator to put the cased deck into his pocket. Using the second deck, force the card that matches the one duplicated twenty-six times in the Svengali Deck. A spectator now calls a number from one to fifty-two. If he names an odd number, have the count made to that number in the cased deck. If he names an even number, have that many cards counted off and the next card turned up to reveal the match. Alternatively, have the count done from the bottom of the deck, he cards being drawn from there until the named number is reached.
IT™ r ^'""mru>mon'C-stack version, you can have the specta-ors shuffle both decks honestly and then switch one of the decks for exDlain i r C0Uld use' for example, the switching method I ZrZlT:^ °f thC ,Tick "Total Coincidence" (described in my ^TZ tT m""1' 1 Pub,i^ Spanish in 1984-not the wh, iv^z'r1 You may ais°«the foiiowinsswitch'
MNEMONICA ,/ 211
You appear to take out a red-backed deck anH , k.
The latter is actually red as well, but stacked bluc"ba^ed deck.
an extra blue-backed card on top. Hand the redSd^f"'^
one who is wearing something red, calling him "Mr r!h" d the red item he's wearing. "WiU you please luffle ^XvZJ
he does this you hold the apparently blue-backed dlf „ m hand end grip. When he has finished mixing the^ ^
red-backed deck mto your palm-up left hand. Spot sonLe , , weanng somcthmg blue and say, "And you, Mrs. Blue. Wll, you plea„ shuffle the blue deck? As you say this, bring your hands together rest ing your left thumb on the back of the blue-backed card. Separa'te the hands, secretly slipping the blue-backed card from one deck onto the other, and turn the hands over, bringing both decks face up, as you ask, "Mrs. Blue, are you a good shuffler?" This produces a "parenthesis of forgetfulness"/
Lower your left hand slightly with the supposedly blue-backed deck and turn over both hands, offering the one in your right hand (now the red-backed deck) to Mr. Red: "But, before that, will you please put the red deck into its case?" This creates more misdirection, since you haven't yet brought the case into play. "Oops! Sorry—I've got it here." Put your left hand, holding the supposedly blue-backed deck, into your left pocket, ditching that deck and bringing out an empty red case and a genuine blue-backed deck. Give the case to Mr. Red, and the blue-backed deck to Mrs. Blue to shuffle. Although each of them has shuffled a different deck, the red-backed deck is stacked!
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The pathology of the poet says that the undevout astronomer is mad the pathology of the very plain man says that the genius is mad and between these extremes, which stand for ten thousand analogous excesses, the sovereign reason takes the part of a moderator and does what it can. I do not think that there is a pathology of the occult dedications, but about their extravagances no one can question, and it is not less difficult than thankless to act as a moderator regarding them.