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TA Waters Mind Myth and Magick

Waters is the author of Mind, Myth, and Magick, a monumental (and wonderful) 800 page book which is required reading for anyone interested in mentalism. On this video T.A. demonstrates and explains 12 routines from the book. The routines use common objects such as envelopes, playing cards, and tarot cards, and all are within the abilities of the average magician.

Some Early History And The Al Mann Influence

Cloud Busting has been around a long time, but it was Al Mann who really brought it to the forefront. In the November 1974 issue of MAGICK, the editor Bascom Jones published it under the title of MIND CLOUD. However, for some obscure reason he did not publish the solution Mann gave him.

Warm reading using verbal feedback

Nodding occasionally, in the sense of acknowledgement is a must. A slight sideways tilt of the head is also a listening signal you must learn to use Leaning slightly forward is standard so is slowly ('thoughtfully') stroking the chin, almost as if you had a beard This one action - attentive listening - is powerful magick sic by itself. For one thing, it is so rare for people to listen intently to them, that they want to talk on and on. It is a perfect way to get them to tell you their problem, and their tentative solution. (p. 78)

Cigrate Paper Thoughts

This trick is a simple reworking of a playing card prediction that I read in an issue of Magick Magazine by Jules Lenier. The effect was called Share of Mind. This is only a minor variation - the handling is cleaner, the use of tarot cards, the presentation of using their present and future, and the dodge of the different colour pens.

The Last of The Spike Tricks

A few years ago in Magick, Jim Rainho published an effect wherein a sharp spike was hidden under one of several paper cups. The cups were then mixed and the performer, through the agency of his psychic abilities, smashed all of the cups with the palm of his hand -- except the one covering the spike.

May 2001 Seven Year Itch

The Book of Haunted Magick Those with an interest in Bizarre Magick will certainly want to take a look at The Book of Haunted Magick by Rick Maue. Mr. Maue offers 50 items, each accompanied with an intriguing patter plot. Happily, the methods that accomplish these effects are more sophisticated than the average Bizarre Magick fare. A wide variety of props are utilized, although Tarot cards are featured in several effects. (My guess is that Mr. Maue comes to the Bizarre field from a sleight-of-hand background. I don't believe that I've previously encountered a Bizarre Magick book that offers a handling of the Classic Pass False Cut.) If you have ever wanted to incorporate Bizarre Magick into a haunted house scenario, be sure to take a look at the section of the book titled The Haunted Chamber. This is a complete series of routines designed to be performed in a haunted house. Mr. Maue writes, The 'magic' that occurs in the The Chamber is not designed to 'fool' the patrons, but instead...

January 2001 Melt Down

Practitioners of Bizarre Magick will enjoy this new book from Thaumysta Publishing. Eugene Poinc has taken some very basic magic tricks (the Grandmother's Necklace, the Afghan Bands, the Professor's Nightmare, the Buddah Papers) and has cloaked them in very evocative presentations based on a character called The Practitioner, a shadowy figure who dresses in gray and who travels the world telling weird stories.

Three Experiments With The Dowsing Pendulum

Now, you only have to locate on your duplicate full magazine, by way of comparison, which word was underlined encircled on the page which was torn out from the other magazine. If this method is too BOLD for you, any other method to secretly obtain the info can be adapted for this routine (T.A. Waters, for example, in his Mind, Myth & Magick book has a modus operandi you could like better but, with his approach, the page of the magazine must be forced ) If you, instead, want to have a prediction about the numbered seat in the audience your helper would be in the evening of your show. Well, with very little thinking on your part you should be able to twist things to achieve exactly that. and maybe a quick search in T.A. Waters outstanding book Mind, Myth & Magick could offer you some methods, subtleties and ideas on this very subject.

AjpproachxnQ oJFie oab[e

Now, when you ask for a number from 1-10, you can arrive at either of the two symbols using the European 10-11 force, published many times in Magick magazine. The working is simple. With any number called between 1 and 10 you can arrive at one of the force designs as follows Method - This effect was originally published in Magick 496 (regrettably, the final issue of Magick) by John Yeager under the title, Love Match. I spoke with Bascom right after it was released and relayed the following handling to him. He told me that he liked this minor variation better and would publish it straight away. Unfortunately, it never came to pass. I market this effect under this same name with materials already provided and specially printed cards included. However in Bascom's memory, I'll publish it here.

By Mark Strivings

The source of inspiration for this is a terrific piece that my buddy Earl Keyser published in Magick magazine several years ago using balloons. What 1 liked most about Earl's presentation was the fact that there was movement involved. Here we had a mentalism presentation that was uisually interesting. I wanted to carry the concept into the close up arena and this is the result

Sean Carpenters General Magic

David is the author of a number of books on magic including Phantoms of the Card Table, Chan Canasta - A Remarkable Man and The Mind and Magic of David Berglas. He is a writer and consultant producer on many of the UK's television magic shows including Derren Brown's Trick of the Mind, Dirty Tricks, Death Wish Live, Secret World of Magic, Magick and The Real Hustle. He has a blog at www.davidbritland.com and promises to update it more frequently now that he's advertised it

Demonstration Three People Reading Plus

This demonstration is influenced by many classics of inentahsm. A1 Koran had an early version in Professional Presentations called Doodle. There is an ele-meni of psyehometry to this demonstration, and Mind, Myth and Magick by T A. Waters contains many line '.ocas or. this opic. Larry Becker's Stunners includes Sneak Iiiief, a wonderful variation that adds several creative refinements to this classic.

Trisoteric An Useful Tool

In the updated version I came up with, all the symbols I drew during my performance were covered by some patter about how powerful those symbols have always been considered in all the magickal traditions. The circle has been always considered a powerful sigil for protection in magickal rituals and also meaning the infinitum, the endless going forward and simultaneously coming back to the origins of each thing and everything.

Part Nine Killer Apps

In the subsequent thirty years, several more magic magazines have come and gone, adding to the 540 titles listed by Garrett. Besides, Hierophant and Kabbala, I put out Avatar, Sticks & Stones, Facsimile, M.O. (Modus Operandi), Swipe, and Marlo Phile. Other magazines that have fallen by the wayside are The Conjurer, Talisman, Magic Man Examiner, Magic Manuscript, Richard's Almanac, Blue Print, Crimp, Magic & Spells, Pallbearers Review, Epilogue, The Chronicles, Arcane, Magic Cackle, Magick, The Gen, Inside Magic, Invocation, Interlocutor, Legerdermain, Magical Arts Journal, The New Invocation, The New Pentagram, New Talon, Pabular, Seance, Swami, and The New Tops. Therefore, I was justified to feel timorous at the beginning. I still do. Although there is now a glut of material, the number of new, good ideas, tricks, sleights, and variations that is invented is small each year. There is not enough new material to support dozens of magazines.

Required

The inspiration for this effect came from Vegas Fling in an early issue of Magick. The presentation used two of the three casino games used here, namely Roulette and Craps. I changed the third game from Poker to Blackjack. Why Because the third game involves a force and the one used in the original wasn't to my liking. In fact, the mandatory force called for in most one ahead routines similar to this is usually the weakest point in the routine. However, I believe you'll positively love the variation I've conceived.

Street Magic

And what's the deal with Magick The guy doesn't even know how to spell Magic. Does he deserve your support Besides, would you want your daughter marrying someone named Bascorn Of course not. Cancel your subscription until the editor changes his name and learns how to spell.

Shelftsh

Shell Hides Grimoire B Grimoire A Grimoire B, the masking spine concealing the grimoire from view. You've just done an effect with Grimoire A, which is faked in some way you put it in the bookcase just to the right of the hidden duplicate. Should someone wish to see the book, you pull out Grirn-oire B, the dummy spine swinging aside to permit this to happen. As it clears the sheffr the pressure of the

Backhand

Another idea for a switch, this time for ju st about a nythi ng that m igh t be used in a ritual-magick routine. Mind, Myth Magick The drawing tells the story. It's the old daylight-seance gag the cloth has a stiff wire along one edge, and a fake hand attached at one end this hand is concealed in the folds of cloth at the start. When you slowly drape the object, both hands seem to hold the cloth actually it is supported by one hand while the other does the dirty work of switching the object for one concealed behind the table.

Ritual Magic

Words of Power - Words that release a special power just by saying them or writing them on the correct amulet. 'Abracadabra' is a word of power mentioned in the famous grimoire, The Key Of Solomon The King. Names of Power - Mainly different names for God or the Angels. Ritual magic grimoires usually read like a Hebrew telephone directory. Even more useful would be the real names of the demons, but these all seem to be ex-directory.

The Iiit11al

Anyone familiar with my creations will find the basic principles that comprise THE RITUAL in a few of my previous effects. But I do believe that the presentation you are about to read, and I certainly hope perform, is almost in the category of REAL MAGICK. Its impact is quite impressive and can greatly affect those for whom you perform it. And since it may be performed totally impromptu, it is extremely practical.

Swords

A sword is something you must have to be a convincing ritual magic exponent. The grimoires happily tell you to forge your own and inscribe it yourself with certain astrological and qabalistic signs. Quite frankly this is a bit of a pain in the neck especially when you can buy a perfectly good one off the shelf in a magic shop.

Doodleology

One of the best ways, suggested by Charles Scott in Magick, is to use a blue pencil to slightly thicken the blue ruled lines on each card. In other words, the first card has the first line slightly darkened, the second card has the second line altered, and so on. If you prefer a tactile mark, as I do, simply press down on the line with your thumbnail, near the edge of the card. You can feel the mark as you run your fingers down the edge. You can also remove the nail-nick, leaving behind no evidence for post show

Simply Tarot

You use a force that Bascom Jones discussed in MAGICK a few times, calling it 'the European 10-11 force.' To prepare for this force, while you say you have ten cards, you actually have eleven. The card third from the top is The Lovers, and the card fifth from the top is The Sun.

Short Takes

The Mental Magick of Basil Horwitz Volume 4 By Basil Horwitz Also take note of Ultimate Challenge Thought and Clairvoyance and The Unlimited Principle. The first is the latest incarnation of a routine which has seen development in volumes one and two of the Mental Magick of Basil Horwitz series. This method allows you to do a very convincing message reading effect, and leads naturally into a cold reading scenario. The Unlimited Principle allows you to do a multiple prediction effect (ala the Koran Medallion) but with simple, ordinary props. The method is not difficult, but I think would require a confident showman to pull it off successfully. The Mental Magick of Basil Horwitz Volume 4 by Basil Horwitz. 6 x 9 hardcover. 74 pages. 28 plus 6 p& h. From Martin Breese International, Box 842, Sheffield, S2 5TB, England

Ritual Abuse

Have the deck shuffled then take it back and hold it face up. Glimpse the rear card - let's make it the Ace of Spades. Comment on the magick properties of the number 7, pointing out that seven is the most common lucky number. Say you'll remove seven cards and test the magick properties. Say, I now want you to mix the cards using the Magick Ritual of Indecision, usually connected with the black arts. Deal the top card onto the table - that's decisive. Place the next card to the

Twicerpiece

1) You just noticed that for a simple coincidence (or is it ESP ) your participant has written on her Post-It sheet the right identity of the card she chose before. In other words, she correctly guessed the card . In this case you can end the experiment by praising and applauding her psychic intuition because being psychic is second nature for you but, for her, a non adept in the mystical and magickal sciences, that's quite an achievement Of course, you still end your experiment in a strong way because you also guessed correctly her chosen card. Now you can send her back into the audience or, since her gift of intuition is so developed, you can keep her for your next experiment.

In The Beginning

Cassidy's method which was also published in Bascom Jones' excellent publication, Magick, involved the use of a gimmicked blindfold and a sneak peek over the shoulder (as in Annemann's Mystery of the Blackboard, which was Cassidy's inspiration). The performer, of course, knows from the very beginning which of the four pistols on display is the empty one. The spectator never moves the guns, only the number cards. To quote Bob's own description of the modus operandi, After the volunteer has placed the numbers on the guns, the performer tells him to stand alongside the easel so that everyone can see the numbers and concentrate on Once the performer knows which number to call, the effect is concluded as previously described. I suggest that if you're at all interested in performing Cassidy's version of russian roulette, you should obtain a copy of the original in the reprinted Compleat Invocation, page 275, or on page l509 of Magick, issue number 302 as described by Sandy Kraus, aka Ford...

Famous Names

More in his line was the OTO (Ordo Templis Orientis), a German order involved in sexual magic, complete with Secret Masters. He took this and adapted it into a new religion, Thelema. With an unaccustomed zeal for economy he boiled down the 10 commandments into one - 'Do what thou wilt shall be the whole of the law', a code that on the face of it seems pretty easy to comply with. Thelema - Crowley's new religion which can be crystallised in the idea that if you didn't interfere with Crowley enjoying himself then you would be all right.

Ch Romantic

This is lor private readings done with a magickal slant It seems to me that an effective magickal presentation along the lines of a candle-burning ritual could involve such a candlestick, gaffed io reveal the order in which colored candles had been removed from tiieir sconces. A metal disk in the base of the candle, and a magnetic ball which would roll down the arm of die candelabrum (inside it, of course) would not seem an insoluble problem in construction. I have, in fact, from time to time seen candelabra on sale which could well be altered in this way.

The Vampire Spell

With the ever increasing public interest in the occult, I decided to interject a bit of the bizarre in my repertoire. The criteria I established was as usual strict. The effect had to deliver maximum impact. Be entertaining. And above all else, be simple to perform so that the major emphasis could be placed on presentation. I searched my mind for the components. What evolved was a combination of White, Bighee and Becker with an able assist from the Necromantic Grimoire of Augustus Rupp.

Fundamentals of Magick

Fundamentals of Magick

Magick is the art and practice of moving natural energies to effect needed or wanted change. Magick is natural, there is absolutely nothing supernatural about it. What is taught here are various techniques of magick for beginners. Magick is natural and simple and the techniques to develop abilities should be simple and natural as well. What is taught on this site is not only the basics of magick, but the basics of many things.

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