You might wonder whether this second script represents the end of the process for me? Am I now finished with the editing process? Is the script now "set"?
Absolutely not! I fully expect the script to change and grow as I continue to perform it -- and as I change and grow. In performance, I must be attentive to the reactions each of the lines of the script receives from my audiences. Which lines are connecting? Which ones are not connecting? These questions go on forever.
And tomorrow, Max Maven is coming to Chicago to spend eight days. I have a strong suspicion that he will suggest new and exciting changes, not only in the scripting but also in method here described.
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