Let us look at all the available methods of creating this effect. We as the performer need to either some how force a word on a spectator, or mark our arm with a word a spectator has named without the spectator having any knowledge that such skulduggery is at hand.

I will present a few alternative methods all of which I have at some time in my performing life used. Each method suits different situations. My very first method was a very simple and yet elegant solution that I still at times use.

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